Name: In the Bleak Midwinter
Genre: Comedy
Released: 1995-09-29
Duration: 99 min
Rating: 7.1
Cast: Michael Maloney, Richard Briers, Joan Collins, Nicholas Farrell, Julia Sawalha

In the Bleak Midwinter

The drama. The passion. The intrigue... And the rehearsals haven't even started.

Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.

Comedy

DirectorKenneth Branagh

WriterKenneth Branagh

StatusReleased

LanguageEnglish

Release DateSeptember 29, 1995

Runtime1h 39m

DocTerminus

@DocTerminus

February 7, 20227/10

Branagh's 2022 black and white film **BELFAST** is considered his most personal film. I offer that his 1995 black and white film **IN THE BLEAK MIDWINTER** is equally autobiographical. And I guess that we will see a third black and white film in the future that would showcase the twilight of his career to close out the Branagh Trilogy. (_Cross your fingers_.) **IN THE BLEAK MIDWINTER** is also the first film that Branagh does not appear. It is arguably the least popular film in his oeuvre, partially because of the release in the United States under the name **A MIDWINTER'S TALE**. For ease of understanding, this review will refer to it as **MIDWINTER**. The storyline is brief, almost a British **WAITING FOR GUFFMAN** as a small group of theatrical performers are mounting an overly ambitious, _underly_ funded production of that old Christmas classic, **HAMLET**. Yes the _everyone's dead at the end_ **HAMLET**. It even results in a powerful movie producer attending opening night in an environment not typical to great theatre. The screenplay is filled with great characters and very funny circumstances. Although not on screen, Branagh's voice is loud and clear. In fact, by this sixth film of his, we are able to see a bit of critical weakness. Branagh's films are lacking in quiet moments - usually wall to wall dialogue mixed with Patrick Doyle's regal musical scoring. This film is the first to subtly address that. In fact, it ends with many payoffs that the heart understands oh so well. **MIDWINTER** is a very good film, but will likely remain his most forgettable work... Until my _dream Branagh Trilogy_ Box Set exists!