In the 1960s she entered the cinema with the emergence of the nouvelle vague where she worked with the main Argentine directors of police noir cinema such as Sixto Pondal Ríos and Enrique Carreras, who directed her in the films Los viciosos (1962) and Los hipócritas (1965). ). In 1965 she worked with Lucas Demare in Los guerrilleros and she made her first collaboration with one of the most recognized Argentine exponents of science fiction and cult cinema, Emilio Vieyra, in t…
