How appellant the idea of a multiverse where the wavefunction collapse doesn't turn realities unreachable from the other quantum fluctuation results, in brief terms, referring to the "Many Worlds Theory" or the different view of Laura Mersini-Houghton. So the gods want, personna dream. As if the kraft happens, the series goes beyond the original work, admiringly well. The details, scenarios, characters. As a youngster I read mostly the twisted Philip K. Dick stories, those with bugs... Who knows how many, forty years ago? Not me.Heinlein or Le Guin, The Stars My Destination, the Heechee saga, Dorsai, even "old style space operas" by EE Doc Smith, Clifford Simak, to name a few, seemed to leave a clearer picture than Philip K. Dick which one must reread here and then considering the number of superb cinema and TV "Adaptations", too much to refer or choose one as "the best". Not a fan of dystopian literature or ordinary TV series. But nothing of ordinary is here at play and there are Utopian undeniable traces. Art, decadence, suffering and resilience, life at its fullest. Love, and the hero within each child to crown the cake. This work of distinguished direction, production, excellent acting and good pace, constitutes a good ensemble, rising the level and not defrauding our founded expectations. For personal reasons I usually expect the conclusion or at least two sequences and then let some distance from trailers, critics. Tasted it at a given opportunity. Better late than sorrow. It was a pleasure to follow, in a row, three seasons of The Man in the High Castle. Congratulations to the crew. Honored, with a bow.

# One of the best TV dramas in recent memory <b>First, a disclaimer:</b> I've not read Dicks' original version of <i>The Man in the High Castle</i>, nor do I intend to read it. I am judging the show entirely on its own merits, without any influence or critiquing related to the novel. ## On to the review! I'm going to keep this short and simple, so you don't have to read a shit-ton of stuff and so that I don't write any spoilers. Here's what you need to know: As a sci-fi story, <i>The Man in the High Castle</i> falls a bit short. The showrunners tried to wrap up the sci-fi bit at the end, but they did a pretty piss-poor job. Budget cuts? Rushed delivery? Who knows? Fortunately, the sci-fi aspect of this story isn't actually what makes it great. What makes <i>The Man in the High Castle</i> great storytelling and great television is the alt-history and the in-depth character story arcs; in particular, the story of the Smiths—the highest-ranking family in the Nazis' American Reich—is absolutely fantastic. In John and Helen Smith, we get to explore what it might have meant for regular Americans to throw their lots in with the Nazi Party had the Axis powers won WWII. Through dialogue and flashbacks, we get to see how joining the Nazi Party twisted both John and Helen into persons unrecognizable from their alt-world selves. Truly, the Smiths' story arc was easily my favorite, and it is the backbone of the show. You will never feel sorry for John or Helen, but you will understand them—and you will feel sorry for their children. Add to this mix some solid intrigue and action, plus a strong, capable female protagonist, and you will see why <i>The Man in the High Castle</i> is really good television. Also, don't let my initial talk of the sci-fi component scare you off. The showrunners may not have done a great job of resolving that part of the story, but the characters' stories were all resolved to my satisfaction. (Well, with one exception, but...it didn't ruin the show for me.) I recommend this show highly to people who enjoy: - Military fiction - Historical fiction - Alt-historical fiction - [Light] sci-fi - Political intrigues/dramas/thrillers