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S7 · E11 — 'An Aged Novelist': Waugh at 60

S7:E11 · 'An Aged Novelist': Waugh at 60

Episodes

26 episodes in this season

Walking, Talking, Laughing Dance

Film Man's Sketch Book

The Prince of Denmark

A Sense of Order

Footmarks in Time: Thomas Hardy

Francisco Goya

Episode 7

Death of My Mother

The Lost Michelangelo

Making the Bedmakers

'An Aged Novelist': Waugh at 60

Episode 12

The Marks of Violence

Poet Laureate

Engraver in Montparnasse

The New Generation 1964

The Power of Myth

Bela Bartok

Jean Tinguely sculptor

Alfred Hitchcock

Hugo Dyson on Shakespeare: York and Lancaster

Hugo Dyson on Shakespeare: Meeting the Children

Hugo Dyson on Shakespeare: The Dog in the Night

Hugo Dyson on Shakespeare: Life Flows and Overflows

Hugo Dyson on Shakespeare: The Prodigal

Hugo Dyson on Shakespeare: Abdication and Aggression

TV Series

19587.3

Documentary

Now playing

'An Aged Novelist': Waugh at 60

Season 7 · Episode 11 · Feb 16, 1964

A fortnightly magazine of the arts. Introduced by Huw Wheldon. In tonight programme: 'An Aged Novelist': Waugh at 60 Evelyn Waugh talks to Elizabeth Jane Howard about his past and his future as a novelist, and about his reactions to growing old. Degas: A Dancing World Edgar Degas, the great French Impressionist painter, became in his later years so involved in the world of Paris Opera Ballet that he seemed to re-live in his art every movement, every gesture of the dancer's body. Margaret Dale looks at the world he created in the light of her own experience as dancer and choreographer.

TV Series

19587.3

Documentary

Now playing

'An Aged Novelist': Waugh at 60

Season 7 · Episode 11 · Feb 16, 1964

A fortnightly magazine of the arts. Introduced by Huw Wheldon. In tonight programme: 'An Aged Novelist': Waugh at 60 Evelyn Waugh talks to Elizabeth Jane Howard about his past and his future as a novelist, and about his reactions to growing old. Degas: A Dancing World Edgar Degas, the great French Impressionist painter, became in his later years so involved in the world of Paris Opera Ballet that he seemed to re-live in his art every movement, every gesture of the dancer's body. Margaret Dale looks at the world he created in the light of her own experience as dancer and choreographer.

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